Dr Goldberg argues that Samuel Richardson had expressed a powerful and hitherto unperceived sexual mythology in Clarissa, making it the popular masterpieceit quickly became. There had never before been a work of literature in which the rape of a woman became the moral indictment of an age. Clarissa was a bookwhich changed minds. It is not surprising that Diderot, the French philosophe, drew on Richardson as the inspiration for his own novel, La Religieuse. Richardson’s novels had achieved Diderot’s declared aim as editor of the great Encyclopédie: to change the way people think. For both writers it had become clear that the boudoir had replaced the Puritan closet and the Catholic confessional as the location for tests of virtue. Dr Goldberg offers an original, comparative reading of the works of these French and English innovators. She leaves us in little doubt that our understanding of what it means to be a woman in our culture owes much to the turbulent world of Richardson and Diderot. INDICE: Preface; A note on the texts; Introduction; 1. Clarissa and the Puritan conduct books; 2. The moral struggle at Harlowe Place; 3. 'Clarissa lives: LET THIS EXPIATE!'; 4. Diderot's Éloge de Richardson and the problem of realism; 5. Sex and the philosophe; 6. La Religieuse and Clarissa: convent and bordello; Afterword; Notes; Bibliography; Index.
- ISBN: 978-0-521-12988-6
- Editorial: Cambridge University
- Encuadernacion: Rústica
- Páginas: 252
- Fecha Publicación: 04/02/2010
- Nº Volúmenes: 1
- Idioma: Inglés